About


My name is Ardis and I am an avid reader and budding writer. I want to share my love of books with others. I work with kids and am interested in finding and creating books that will ignite the reader in everyone. Contact me at: ardis.atkins@gmail.com

Follow Me

Follow

Followers

Powered by Blogger.

Blog Archive

MsArdychan's bookshelf: read

I Owe You One
The Guernsey Literary and Potato Peel Pie Society
Love, Hate & Other Filters
The Wartime Sisters
The Belles
The Gilded Wolves
Hey, Kiddo
Blackberry and Wild Rose
Queen of Air and Darkness
Firestarter
The Retribution of Mara Dyer
The Evolution of Mara Dyer


MsArdychan's favorite books »

Total Views

Showing posts with label Fiona Davis. Show all posts
Showing posts with label Fiona Davis. Show all posts
Monday, January 24, 2022

ARC Review: The Magnolia Palace by Fiona Davis



Please Note:  I received an advance copy of this novel from NetGalley and the publisher in exchange for an honest review.  This did not influence the opinions in my review in any way.

Synopsis (from Goodreads):

Eight months since losing her mother in the Spanish flu outbreak of 1919, twenty-one-year-old Lillian Carter’s life has completely fallen apart. For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists’ models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge. But with her mother gone, a grieving Lillian is rudderless and desperate—the work has dried up and a looming scandal has left her entirely without a safe haven. So when she stumbles upon an employment opportunity at the Frick mansion—a building that, ironically, bears her own visage—Lillian jumps at the chance. But the longer she works as a private secretary to the imperious and demanding Helen Frick, the daughter and heiress of industrialist and art patron Henry Clay Frick, the more deeply her life gets intertwined with that of the family—pulling her into a tangled web of romantic trysts, stolen jewels, and family drama that runs so deep, the stakes just may be life or death.

Nearly fifty years later, mod English model Veronica Weber has her own chance to make her career—and with it, earn the money she needs to support her family back home—within the walls of the former Frick residence, now converted into one of New York City’s most impressive museums. But when she—along with a charming intern/budding art curator named Joshua—is dismissed from the Vogue shoot taking place at the Frick Collection, she chances upon a series of hidden messages in the museum: messages that will lead her and Joshua on a hunt that could not only solve Veronica’s financial woes, but could finally reveal the truth behind a decades-old murder in the infamous Frick family.

Review:

I have a deep love of historical fiction novels, as they place the reader in a time and place that is often unknown.  Good historical fiction develops empathy for the characters and helps us understand the past.  In the last few years, author Fiona Davis has put out several novels, all set in New York City, that explore the challenges women face at different points in history.  The Magnolia Palace, her latest book, is a wonderful addition to Davis' list of achievements.  There were several characters that I quickly became invested in, and historical details about New York that I didn't know about.  For fans of historical fiction, this is a must-read!

What I Liked:

Historical Details:

This novel actually is set in two different historical periods, 1919, and 1966.  Both time periods are richly drawn.  In 1919, New York is a city of contrasts.  Some neighborhoods are filled with tenements, with the threat of severe poverty just around the corner.  Other areas are filled with mansions from The Gilded Age, with almost obscene excesses.  The concerns of poor and rich couldn't be more different.  I liked how the author showed how much the newspapers oft he day influenced the city.  If you were targeted by the gossip pages, your life could be ruined. 

In 1968, the Frick mansion has become the Frick Museum (an actual place in New York City), where the massive art collection of Henry Clay Frick is displayed.  But even in this setting, we can see the struggles of the time playing out.  A young black intern at the museum shows the reader about his challenges as he has to constantly prove he belongs there.  And Veronica, a young woman on a modeling assignment, is dealing with the harassment, and sexism that is so rampant in that time.  I was particularly struck be the details of what models had to bring on photoshoots.  The model, not the company who hires her, must provide her own makeup, jewelry, shoes, and other accessories for the assignment.  I can't imagine how expensive that must have been!  Again, the extravagance of the fashion world is in sharp contrast to realities of regular people who want to aspire to something more.

Story:

In 1919, The Gilded Age is over, and what is left in New York are mansions that are too big, and rich people living in the past.  For Henry Clay Frick, it means a reckoning at the end of his life.  What will his legacy be?  Does he want to be known as a union-busting villain, or as a dignified patron of the arts?  Obviously, he wants to be know for his massive art collection.  

For Lillian Carter, a twenty-year old sculptor's model who just lost her mother to the Spanish Flu, all she's thinking about is survival.  After she is implicated in a sordid murder, the newspapers of the time have a field day portraying her as little more than a prostitute.  She inadvertently stumbles into the Frick household, and is hired to be the personal secretary of Helen Frick.  No one in the house knows who she really is, so she feels this is a good place to hide in plain sight. As she settles into her new job, she finds that she is very good at organizing, planning, and carrying out projects.  She can earn a living using her mind, and not just her beauty.  However, Lillian seems to attract scandal wherever she goes.   

1968 is a time of change throughout the world, but especially in New York.  Veronica is a young model from England who is doing a photoshoot at the Frick Museum (formerly the Frick mansion).  The job is for Vogue magazine, so this is her big opportunity.  But, as she is verbally abused by an egotistical photographer, she starts to think that maybe being a model is not all it's cracked up to be.  But what can she do?  She doesn't have an education, and her family is counting on her to make good money. 

She meets a young Black man who is an intern at the museum, and sees the kind of challenges he has to face daily.  He has to constantly prove that he belongs there and isn't a threat. It's exhausting.  But she also sees how hard he is working towards he goals and becomes inspired.  There is a mystery that ties the two timelines together.  It really made the stories compelling.

Characters:

I loved Lillian.  She is someone who has had to survive using her wits, and her beauty.  Although she is quite intelligent, Lillian is still a very young person who isn't sophisticated enough to see she's in a dangerous social situation that could harm her.  Even in challenging situations, Lillian knows her worth and doesn't succumb to self-doubt.

Helen Frick is the single thirty-something daughter of  Henry Frick.  She is a really complicated person.  On the one hand I hated that she was so abusing to her staff, berating them and treating them worse than her pets.  On the other hand, she was also mentally messed up!  Henry liked to pit family members against each other, so there was constant bickering between Helen and her brother.  She also had to compete with her sister, who died at six years old.  Her parents idealized Martha (the dead sister) and Helen never felt she could make up for her parents' loss.  What a terrible thing to never feel the love of your parents.

Veronica, the young model in 1968, was much like Lillian.   Both were models and needed to find their own path in the world.  Both faced an ethical dilemma.  For Veronica, she was seriously thinking about stealing something valuable from the museum .  Lillian, flattered by the attentions of Helen's suitor,  was offered a large sum of money from her employer to help Helen find a man and get married. Will they do the right thing, or will money influence their moral choices?

Rating:  ⭐⭐⭐⭐⭐⭐⭐

Release Date:  January 25, 2022

Author:  Fiona Davis

Publisher:  Dutton

Genre:  Historical Fiction.

Page Length:  368 pages

Source: NetGalley

Format:  E-Book

Recommendation:  If you love historical fiction, you will enjoy this book.  I certainly did!


SHARE ON: Share to Pinterest
Friday, July 31, 2020

ARC Review: The Lions of Fifth Avenue by Fiona Davis




Please Note:  I received an advance copy of this book from the publisher and Edelweiss in exchange for an honest review.  This did not influence the opinions in my review in any way.

Synopsis (from Goodreads):

It's 1913, and on the surface, Laura Lyons couldn't ask for more out of life--her husband is the superintendent of the New York Public Library, allowing their family to live in an apartment within the grand building, and they are blessed with two children. But headstrong, passionate Laura wants more, and when she takes a leap of faith and applies to the Columbia Journalism School, her world is cracked wide open. As her studies take her all over the city, she finds herself drawn to Greenwich Village's new bohemia, where she discovers the Heterodoxy Club--a radical, all-female group in which women are encouraged to loudly share their opinions on suffrage, birth control, and women's rights. Soon, Laura finds herself questioning her traditional role as wife and mother. But when valuable books are stolen back at the library, threatening the home and institution she loves, she's forced to confront her shifting priorities head on . . . and may just lose everything in the process.

Eighty years later, in 1993, Sadie Donovan struggles with the legacy of her grandmother, the famous essayist Laura Lyons, especially after she's wrangled her dream job as a curator at the New York Public Library. But the job quickly becomes a nightmare when rare manuscripts, notes, and books for the exhibit Sadie's running begin disappearing from the library's famous Berg Collection. Determined to save both the exhibit and her career, the typically risk-adverse Sadie teams up with a private security expert to uncover the culprit. However, things unexpectedly become personal when the investigation leads Sadie to some unwelcome truths about her own family heritage--truths that shed new light on the biggest tragedy in the library's history.

Review:
I have been a huge fan of author Fiona Davis, having read several of her previous books, including The Masterpiece and The Chelsea Girls.  She has a knack for finding dramatic tension in all kinds of situations.  In The Lions of Fifth Avenue, her latest book, the New York Public Library is the backdrop for a story of the changing roles of women in the early part of the twentieth century.  A mystery involving a stolen book ties the stories of Laura Lyons, a young married woman in 1914, with that of her granddaughter Sadie, a librarian in 1993.

This book was filled with the conflicts of the times, between the traditional roles of women and an awakening to the potential women have to contribute to society.  With strong characters and a story that incorporates a fascinating mystery, this was a wonderful reading experience.

What I Liked:
Social Issues:
The early part of the twentieth century was a time of change.  Millions of immigrants were arriving in America, many settling in New York.  And the traditional roles of women were in question, as the suffragette movement took hold.

The Lions of Fifth Avenue shows the tenements of New York with all the overcrowding, disease, and poverty.  It also shows how many were concerned and took action to alleviate suffering.  The health programs aimed at reducing infant mortality were quite progressive for its time.  And women lead the charge!

Women were also beginning to question why their roles in life were limited to homemaking and child-rearing.  Topics such as birth control were deemed obscene.  Women were dependent on their husbands for their economic well-being.  But women were waking up to the injustices of their situation.

Characters:
Laura, Jack, and Amelia:
In 1914, Laura seems happy with her life.  She is married to a kind man and has two sweet children.  They live in (yes, in) the New York Public Library, in a hidden apartment reserved for the superintendent of the building.  That is her husband, Jack's job.  But he has ambitions to become a published author.

But, as the story progresses, Jack shows that he is a man of his time.  His career goals are all important.  He takes for granted that Laura will support his needs above her own.  In fact, he doesn't seem to register that Laura has any needs beyond being a wife and mother.  I  loved all the layers of their relationship.  Jack is trying to be supportive of Laura.  But how can he really?  His world view is stubbornly anchored in the previous century. Laura is truly attempting to be content, but it's a losing battle.

Then, Laura meets Amelia.  Amelia is a female doctor who's working with tenement families.  Her assertive ways, and independence, helps Laura open her eyes to she's missing out on.   She also awakens a desire in Laura that she never could have imagined.  This was a woman way ahead of her time.

Sadie:
Sadie is Laura's granddaughter and the focus on the part of the story that takes place in 1993.  She is independent, has a career, and lives her life on her own terms.  But she also is a bit of a loner, particularly after her divorce.  While she has a life that Laura would approve of on the surface, Sadie is wary of taking chances and is not happy.  Her challenge is learning how to be comfortable with her choices.

Mystery:
In both stories, rare books are being stolen from the Library.  Laura's husband Jack is the main suspect in 1914, and Sadie (the curator of one of the collections) is suspected in 1993.  With Sadie's reputation on the line, she is determined to find out what is going on.  She learns of the earlier thefts and wonders if there is some connection to the current burglaries.  I like how Sadie uses her skills as a librarian to research everything from the architectural plans of the library, to relics in the library's collection to look for clues.

What I Was Mixed About:
Historical Details:
While the author does a very good job of presenting the social issues of the early part of the twentieth century, some of the smaller details of daily life are lost.  I really cherish these small glimpses into how people lived in bygone times.  I would have loved to know the challenges of being a homemaker (doing the laundry must have been rough!).  This would have provided more context for Laura's discontentment.

Rating: 


Release Date:  August 4th, 2020

Author:  Fiona Davis

Publisher:  Dutton Books

Genre:  Historical Fiction

Page Length:  368 Pages

Source: Edelweiss

Format:  E-Book

Recommendation:  Who knew a mystery revolving around a stolen book could be so compelling!  A wonderful historical fiction. 


SHARE ON: Share to Pinterest
Tuesday, July 30, 2019

ARC Review: The Chelsea Girls by Fiona Davis

https://www.goodreads.com/book/show/42647003-the-chelsea-girls
Please Note: I received an advance copy of this book from Edelweiss in exchange for an honest review.  This did not influence the opinions of my review in any way.

Synopsis (From Goodreads):
From the dramatic redbrick facade to the sweeping staircase dripping with art, the Chelsea Hotel has long been New York City's creative oasis for the many artists, writers, musicians, actors, filmmakers, and poets who have called it home—a scene playwright Hazel Riley and actress Maxine Mead are determined to use to their advantage. Yet they soon discover that the greatest obstacle to putting up a show on Broadway has nothing to do with their art, and everything to do with politics. A Red scare is sweeping across America, and Senator Joseph McCarthy has started a witch hunt for Communists, with those in the entertainment industry in the crosshairs. As the pressure builds to name names, it is more than Hazel and Maxine's Broadway dreams that may suffer as they grapple with the terrible consequences, but also their livelihood, their friendship, and even their freedom.

Spanning from the 1940s to the 1960s, The Chelsea Girls deftly pulls back the curtain on the desperate political pressures of McCarthyism, the complicated bonds of female friendship, and the siren call of the uninhibited Chelsea Hotel.
  


Review:
Fiona Davis is fast becoming one of my favorite historical fiction authors.  As with her other works, The Chelsea Girls is set in New York City.  The bulk of the novel happens in 1950.  It was a time where Americans were told Communists were infiltrating every aspect of our institutions.  With colorful, heart-breaking characters, and well researched historical details, this novel captures the fear and paranoia of the time, and the lost potential of a generation of artists. 

What I Liked:
Setting:
The book actually begins in Naples, Italy at the end of WWII, where Hazel (a new USO performer) is thrust onto the stage to entertain the troops. When one thinks of the USO, carefree images of Bob Hope yukking it up for the soldiers come to mind.  This story shows the less glamorous side, where the show went on, rain or shine.  

Later, the Hazel meets up with one of the other characters, Maxine, in New York City.  It's 1950, and the entertainment industry is moving into high-gear.  America is ready to be distracted.  But there is also a lurking fear of Communists brought on by the Cold War.  I am a total theatre geek, so reading about how Broadway shows were created was really fascinating to me.

Much of the scenes take place at the iconic Chelsea Hotel, where Hazel lives after a fight with her mother.  This was one of the first co-op apartment buildings in New York, one that catered specifically to artists.  The atmosphere and colorful residents made the hotel seem idyllic, where outsiders could create their own family. 

Characters:
Hazel, who works as an understudy on Broadway, goes from being the butt of jokes to being taken seriously as a playwright.  Even though the novel celebrates her artistic talents, Hazel is not an idealized character.  She is jealous of how her bombshell friend Maxine gets all the attention.  And her relationship with her mother is strained.  She is also very self-riotous about not caving in to name communists when the government tries to blacklist her.  I'm thankful she wasn't perfect.  Her imperfections made her character more realistic.

Maxine is Hazel's friend who works as a film actress in Hollywood.  She has a complicated life due to her relationship with her lover, Arthur.  He is a classic abuser, vacillating between adoring her and hitting her.  Later, we understand why she puts up with this.  Maxine is also a complex character.  At times, she is selfless, and then she rationalizes terrible choices in order to live with herself.  It was what many people did in those days in order to survive. 

Story:
The story is centered around the communist paranoia of the early 1950's.  If one even attended a rally to fight fascism years earlier, one could be called a communist.  This was a time where if someone didn't like you, all they needed to do to get you fired from your job was insinuate that you were a communist.  If you tried to fight the charges, you would have to hire lawyers, or pay a $200 fee to a private company in order to clear your name.

There is a twist that occurs about two-thirds into the novel that completely turns the story on its head.  I will not give it away, but this makes the book go from a morality piece to a suspense thriller.  It really makes the book compelling, and I loved it.  

Rating: 




Release Date:  July 30th, 2019

Author:  Fiona Davis

Publisher:  Dutton Books

Genre:  Historical Fiction

Page Length:  368 Pages

Source:  Edelweiss

Format:  E-Book

Recommendation:  This work of historical fiction packs an emotional punch.  Full of wonderful details.  Highly recommended.

 

SHARE ON: Share to Pinterest
Thursday, August 2, 2018

ARC Review: The Masterpiece by Fiona Davis

https://www.goodreads.com/book/show/37504654-the-masterpiece?ac=1&from_search=true
Please Note:  I received an advance copy of this book from Edelweiss in exchange for an honest review.  This did not influence the opinions of my review in any way.

Synopsis (From Goodreads):
For the nearly nine million people who live in New York City, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different.

For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded--even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter--Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. And even poverty and hunger will do little to prepare Clara for the greater tragedy yet to come.

Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort. Recently divorced, she has just accepted a job in the information booth in order to support herself and her college-age daughter, Ruby. But when Virginia stumbles upon an abandoned art school within the terminal and discovers a striking watercolor hidden under the dust, her eyes are opened to the elegance beneath the decay. She embarks on a quest to find the artist of the unsigned masterpiece--an impassioned chase that draws Virginia not only into the battle to save Grand Central but deep into the mystery of Clara Darden, the famed 1920s illustrator who disappeared from history in 1931.


Review:
A good historical fiction book is a jewelry box of little gems.  Fine details such as what people wear, how they speak, and what they do for fun bring the era written about to life.  There are a treasure trove of these in Fiona Davis's new book, The Masterpiece.

What I Liked:
Settings:
The story takes place in New York City, but in two different times:  the 1920's and the 1970's.  This allowed for lots of fun situations to be explored such as the Roaring Twenties and the Swinging Seventies.  Both eras were times of enormous change in America, and for the main characters.
 
Historical Details:
Since the main character in the 1920's story (Clara) is a commercial illustrator, the author effectively uses this to show the fashions, and products, of the day.  Great attention is  also given to the architectural details of Grand Central Terminal in New York, both in how it was in it's hay days of the 1920's, and when it was deemed an eyesore in the 1970's.

Characters:
Clara, a female artist, is the focus of the story taking place in the 1920's.  I loved how driven she was to make a living as an artist.  She was bold, (and needed to be) as obstacles were put in her way because she was a woman.

Newly divorced Virginia was not as likable, at first.  With her lack of confidence and naivety, it was hard to relate to her.  But in order for her character to develop, she needed to start at the bottom.  She later did change into a person I would want to know better, which was a treat to read. 

Story:
Both stories are about women who begin in the shadows of men.  They must learn that in order to thrive, they must rely upon themselves.  I liked this message.  It was empowering without man-hating.

In the 1920's story, Clara pursues her career as an artist while navigating the expectations for women of that time.  I loved the details of the art school and the art scene in New York.

In the 1970's story, Virginia is divorced and trying to make it on her own.  She starts out in the mindset that someone should take care of her.  I liked how she persevered, gaining new appreciation for working-class people, and New York.

What I didn't Like:
There were some things that I felt were not successful in this book.  There were several coincidences that were hard to accept, but were crucial to the story.  Virginia just happens to date the lawyer who is leading a lawsuit to remove Grand Central's protected Landmark status.  She also finds a lost piece of art and conveniently has an art history degree.  I found that these made the story not ring as true as it could have.  And I wish the ending didn't quite so neatly wrap everything up.  A few loose ends, and some regrets about lost opportunities, would have made this story more touching.

Overall:
I found this to be a mostly engaging, fun book with strong female characters.  I liked all the historical details, and the themes of empowerment.  If you enjoy historical fiction, you will be entertained by this book.

Rating: 




Release Date:  August 7th, 2018

Author:  Fiona Davis

Publisher:  Dutton

Page Length:  368 Pages

Source:  Edelweiss

Format:  E-Book

Recommendation:  This captivating historical novel would be a good choice for book clubs.
 
SHARE ON: Share to Pinterest
Wednesday, August 2, 2017

ARC Review: The Address by Fiona Davis

https://www.goodreads.com/book/show/33607640-the-address?ac=1&from_search=true
Please Note:  I received an advance reader's copy of this book from Edelweiss in exchange for an honest review.  This did not influence the opinions of my review in any way.

Synopsis (From Goodreads):
After a failed apprenticeship, working her way up to head housekeeper of a posh London hotel is more than Sara Smythe ever thought she'd make of herself. But when a chance encounter with Theodore Camden, one of the architects of the grand New York apartment house The Dakota, leads to a job offer, her world is suddenly awash in possibility--no mean feat for a servant in 1884. The opportunity to move to America, where a person can rise above one's station. The opportunity to be the female manager of The Dakota, which promises to be the greatest apartment house in the world. And the opportunity to see more of Theo, who understands Sara like no one else . . . and is living in The Dakota with his wife and three young children.

In 1985, Bailey Camden is desperate for new opportunities. Fresh out of rehab, the former party girl and interior designer is homeless, jobless, and penniless. Two generations ago, Bailey's grandfather was the ward of famed architect Theodore Camden. But the absence of a genetic connection means Bailey won't see a dime of the Camden family's substantial estate. Instead, her -cousin- Melinda--Camden's biological great-granddaughter--will inherit almost everything. So when Melinda offers to let Bailey oversee the renovation of her lavish Dakota apartment, Bailey jumps at the chance, despite her dislike of Melinda's vision. The renovation will take away all the character and history of the apartment Theodore Camden himself lived in . . . and died in, after suffering multiple stab wounds by a madwoman named Sara Smythe, a former Dakota employee who had previously spent seven months in an insane asylum on Blackwell's Island.

One hundred years apart, Sara and Bailey are both tempted by and struggle against the golden excess of their respective ages--for Sara, the opulence of a world ruled by the Astors and Vanderbilts; for Bailey, the free-flowing drinks and cocaine in the nightclubs of New York City--and take refuge and solace in the Upper West Side's gilded fortress. But a building with a history as rich--and often tragic--as The Dakota's can't hold its secrets forever, and what Bailey discovers in its basement could turn everything she thought she knew about Theodore Camden--and the woman who killed him--on its head.

With rich historical detail, nuanced characters, and gorgeous prose, Fiona Davis once again delivers a compulsively readable novel that peels back the layers of not only a famed institution, but the lives --and lies--of the beating hearts within.


Review:
New York in the Gilded Age.  Whether is was the 1880's or the 1980's, both were times filled with excesses.  People showed off their wealth and power, by living it up in gaudy homes, throwing lavish parties, and thumbing their noses (in the 1980's snorting their noses) at convention.  This book is everything I adore about historical fiction.  The details that transport the reader to each time are amazing, as are the stories of the two women that are at the heart of the novel.

What I Liked:
Time Periods:
There are two distinct time periods in this book, the 1880's and the 1980's.  Both have such wonderful details that I feel that I am actually in each era. 

1980's:
I was an adult in the 1980's so I can attest to all the cringe-worthy style of the time.  From giant shoulder pads and pastel sponged walls, to clubbing and cocaine binges, the 1980's was all about excess.  For Bailey who is just out of rehab, staying sober is a challenge when all your friends are drinking and doing drugs.  

1880's:
The style of the 1880's was no less ostentatious.  The lifestyles of the ultra wealthy were celebrated in the newspapers of the day.  It was the Gilded Age, and people wanted their homes to be bigger and more glittering than their neighbor's.  Even though Sarah is used to the demands of the wealthy in England, she is surprised by the luxury and waste of New York.

Stories:
 I never felt irked when the author went from the 1880's to the 1980's and back again, because both stories had my attention.  Combining the two women's narratives compels the reader keep reading.  The central mystery of why a certain character was killed kept me up late reading for several nights.

Characters:
Although Sarah and Bailey are very different characters, I could feel empathy for both women's predicaments.  For Sarah, trying to make her own way in life, isolating herself from others seems to be her way of keeping safe.  Anyone she lets get close to her winds up hurting her.  Bailey is similarly aloof.  She doesn't feel worthy of friendship after becoming addicted to alcohol.  It takes a long time for Bailey to stop being hard on herself and accept the friendship of Renzo, and other tenants of the building.  I think that is the thing both women have in common: incredibly low self-esteem.

If you love historical fiction, this book is a page-turner.  With it's compelling story, characters, and sense of time, there is plenty to enjoy about this book.


https://www.goodreads.com/book/show/33607640-the-address?ac=1&from_search=true

https://www.amazon.com/Address-Novel-Fiona-Davis/dp/152474199X/ref=sr_1_1?ie=UTF8&qid=1501310990&sr=8-1&keywords=the+address+fiona+davis

https://www.bookdepository.com/The-Address-Fion-Davis/9781524741990?ref=grid-view&qid=1501311047264&sr=1-1

https://www.barnesandnoble.com/w/the-address-fiona-davis/1125365729?ean=9781524741990



Rating: 





Release Date:  August 1st, 2017

Genre:  Historical Fiction

Pages:  368 pages

Source:  Edelweiss

Format:  ARC E-Book

Recommendation:  An excellent choice for a book club as there is plenty to discuss regarding these women's choices.
SHARE ON: Share to Pinterest

GoodReads

2022 Reading Challenge

2022 Reading Challenge
MsArdychan has read 7 books toward her goal of 96 books.
hide

Badges

80% 80% 200 Book Reviews 2016 NetGalley Challenge
clean sweep 2017

Popular Posts

Grab My Button

http://ponderingtheprose.blogspot.com
<a href=“http://ponderingtheprose.blogspot.com" target="_blank" rel="nofollow"><img src="
http://ponderingtheprose.blogspot.com

Blogs I Follow

Search This Blog